20th Anniversary Conference of the Urhobo Studies Association

Theme: Two Decades of Advancing Urhobo Studies: Reflections, Progress and Future Direction

Date: Monday 1^st – Wednesday 3^rd September, 2025

VENUE: Delta State University, Abraka

- Day 1 and 2 (Pre-conference Workshop and Conference Opening ceremony/Anniversary): Faculty of Education Lecture Theatre (Block C) 

-Day 3 (Parallel Sessions): Faculty of Arts [Get Direction]

Countdown to the Event:

NB: Abstract submission deadline closing soon!

Abstracts of not more than 200 words addressing the theme or other areas of Urhobo studies can be sent to: urhobostudiesconference2025@gmail.com on or before Friday, 22nd August.

 

For enquiries, please call 08035085193, 07062851103, or send an email to urhobostudiesconference2025@gmail.com

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ABSTRACTS

 

STARTING EARLY: USING ANIMATION AND NURSERY RHYMES TO PRESERVE URHOBO LANGUAGE AMONG YOUNG LEARNERS

 

Peter Vwede NOSIAMA

Founder, Aunty Ruky Urhobo School

urhobocartoon@gmail.com; +2349022994039

 

ABSTRACT:In today’s digital era, preserving indigenous languages like Urhobo requires creative, technology-driven strategies—especially for engaging very young learners. This paper explores the use of animation, culturally adapted nursery rhymes, and storytelling as powerful tools for introducing the Urhobo language to children aged 0–8. Drawing from practical experience in developing multimedia content through the Aunty Ruky Urhobo School initiative, the paper highlights how animated videos, Afrocentric melodies, and visual storytelling can make language learning fun, memorable, and culturally grounded. It also examines the integration of AI tools in producing Urhobo nursery rhymes and cartoon episodes that teach vocabulary, greetings, expressions, and cultural values. These innovations are not only helping diaspora children connect with their roots, but also offering a scalable model for early childhood language preservation. The paper identifies challenges such as production cost, limited institutional support, and dialect variation, and proposes recommendations for collaboration, curriculum integration, and sustainable content creation. Ultimately, this study emphasizes that engaging children through media they already consume—songs, videos, and animation—is key to ensuring Urhobo remains alive for future generations.

 

 

BUILDING AI-POWERED ENGLISH–URHOBO TRANSLATION TOOLS FOR LANGUAGE LEARNING AND REVITALIZATION

 

Peter Vwede Nosiama

Founder, Aunty Ruky Urhobo School

urhobocartoon@gmail.com; +2349022994039

 

ABSTRACT: The advancement of artificial intelligence presents new opportunities for the preservation and revitalization of minority languages such as Urhobo. This paper documents the development of an AI-powered English–Urhobo translation system, designed not only as a technological tool but also as a practical teaching and learning aid. Built using a combination of neural machine translation models, custom datasets, and speech integration features, the tool enables users to translate English sentences into Urhobo while also listening to correct native pronunciation. The paper details the creation process, including data gathering, training of the model, audio labelling, and deployment strategies. Special attention is given to its educational applications, such as interactive classroom use, selfpaced mobile learning, and support for diaspora learners with little to no prior exposure to the language. Challenges encountered—such

as dialectal variation, limited datasets, and orthographic inconsistencies—are also discussed. The paper concludes with reflections on the tool’s potential impact and offers a roadmap for scaling AI translation solutions to support other aspects of Urhobo language preservation. This study advocates for a strategic blend of AI and pedagogy as the future of indigenous language education.

 

 

URHOBO FOLKLORE, FESTIVAL AND RELIGIOUS PRACTICE

 

Emmanuel EJAETA

emmanuelejaeta@gmail.com

 

ABSTRACT: The paper examines and explore the extraordinary rich cultural heritage of the great Urhobo people. It examines the importance of traditional myth ,legend and folklore in shaping Urhobo identity and worldview for example the folkltale about the foolishness of the kite and wisdom of the tortoise and it's application to younger generation of Urhobos to be wise in all their dealings. The study also investigates the role of festivals in fostering community family cohesion and the preservation of our rich cultural heritage. Furthermore, it expatiate on the intersection of traditional religious practices and modern influences, highlighting the complexities of cultural continuity and change through a thorough analysis of Urhobo folklore, festivals and religious practices. This paper aims to contribute to a deeper understanding of the social/ cultural dynamics and resilience of the great people of Urhobo.

 

 

EXPLORING POTTERY PRODUCTION AND CONFLICT MANAGEMENT STRATEGIES IN OTOR-EDO

 

Oghenevwoke Anthony AGBEGBEDIA¹*, Peter Oghenerioborue UDI² and Emuobosa Akpo ORIJEMIE³

¹Department of Peace and Conflict Studies, Federal University Oye-Ekiti, Ekiti State, Nigeria

²Department of Languages (English), University of Delta, Agbor, Delta State, Nigeria

³Department of Archaeology and Anthropology, University of Ibadan, Nigeria/Max Planck Institute for Geoanthropology, Jena, Germany

*Corresponding author: omonoghens@yahoo.com

 

ABSTRACT: Conflict is a decisive social impulse which constantly engages humanity. Thus, it is often regarded as inevitable and remains a major characteristic of a society. Pottery production being the major occupation of the Otor-Edo people in Urhobo land is sometimes characterized with conflict. This paper therefore explored the potential for conflict amongst the Otor-Edo potters and the management strategies adopted for resolving such conflict. The study was conducted from the perspectives of conflict resolution; ethnography and the language associated with pottery production whilst adopting both primary and secondary methods of data collection. The primary method consisted of non-participant observation and Key Informant Interviews while the secondary method consisted of published literature on the subject. The collected data were subjected to content analysis. Findings revealed that pottery production is carried out primarily by women, and involves techniques that are passed on through generations. Conflicts do occur sometimes during the processes of clay extraction for the pottery production and it has been used to manage conflicts through compromise, collaboration and accommodation amongst others strategies. Pottery production also involves usage of certain language that is specific to the potting craft and markedly different from their common use. The paper underscored the importance of pottery production and conflict as facts of human existence. (KEYWORDS: Pottery production, Intergroup relations, Conflict resolution, Conflict management mechanisms)

 

 

STRUCTURAL CRIME PREVENTION STRATEGIES AMONG THE WORSHIPPERS OF IGBE ORHE

 

Onoseme Fortune AFATAKPA, PhD

Department of Criminology and Security Studies, Dominion University, Ibadan

Email: fortuneafatakpa@gmail.com; Tel: +2349031662764

 

ABSTRACT: This ethnographic study investigates structural crime prevention strategies within Igbe Orhe, an indigenous African religious tradition practiced in Delta State, Nigeria. While existing security studies largely emphasise direct approaches to crime prevention, this research highlights less explored structural mechanisms rooted in cultural spirituality. Primary data were gathered through interviews with purposively selected participants, including the Uku Supreme (global leader), High Priests (Uku), High Priestess (Omote Uku), Chief Priests (Inori), Chief Priestesses (Ini Igbe), and Votary Singers (Akpine). Additionally, three focus group discussions were conducted among male, female, and youth members of selected Ogwa ri Igbe (temples). Interviews in Pidgin English and Urhobo were transcribed and analyzed using narrative content analysis. Findings reveal key structural crime deterrents, including fear of Oweya (spiritual retribution), clairvoyant abilities of spiritual leaders, ritual songs, and a rigorous sanction system. These elements promote accountability and communal harmony. The study concludes that spiritual leaders should extend their clairvoyant powers beyond personal upliftment of adherents to proactively identify and address criminal tendencies within their communities and the broader society. (KEYWORDS: Crime Prevention, Igbe Orhe, Indigenous African Religion, Delta State)

 

 

THE IMPACT OF GLOBALIZATION ON THE URHOBO CULTURAL IDENTITY AND MECHANISMS FOR ITS PRESERVATION

 

Victory Awhotu AGBERIA¹ and Emmanuel Oluwatosin ADEWUSI²

¹Department of Political Science and International Relations, Cyprus International University

²Department of Political Science and International Relations, Bahcesehir Cyprus University

 

ABSTRACT: Globalization remains a dynamic subject that warrants continuous examination due to its persistent impact on people and cultures. In the context of the Global South, globalization has had an erosive effect on local cultural identities, particularly within African societies. This study explores the influence of globalization on Urhobo cultural identity, with a specific focus on language, dress, and traditions that have sustained the Urhobo people for generations. Using an ethnographic content analysis approach, the study examines cultural practices from the pre- globalization era compared to 21st-century expressions, specifically analyzing recent conduct of marriage ceremonies and traditional celebrations. The findings reveal that globalization has introduced foreign elements such as slang, modifications of traditional attire incorporating European styles, and a shift in the cultural symbolism of respect and honor toward elders. The study identifies migration as a key contributing factor—particularly the movement of Urhobo individuals to Europe and America—who then return and transmit aspects of their host countries' cultures into the Urhobo community. This aligns with the individualist theory, which posits that global capitalism fosters self-centeredness, gradually replacing communal values and weakening the social bonds among community members. In light of these findings, the study advocates for preserving Urhobo cultural identity by encouraging policies that promote and incentivize the practice of authentic Urhobo cultural traditions within Nigeria and among the diaspora. (KEYWORDS: Globalization, Urhobo, Cultural Identity, Nigeria, Collectivism, Individualism)

 

 

AN INTERDISCIPLINARY STUDY OF THE URHOBO PEOPLE: LANGUAGE, COMMUNICATION, CULTURE AND IDENTITY

 

RAVINDRA REDDY M,

M.A. Linguistics, Department of Linguistics, Osmania University, Hyderabad, Telangana, INDIA.

Ph: +91 9959550798; E-Mail: ravindraoudeptling@gmail.com

 

ABSTRACT: The Urhobo people are among the most prominent ethnic groups in Nigeria’s Niger Delta region. With an estimated population exceeding one million, they inhabit a significant portion of Delta State and are known for their robust cultural traditions, language, and heritage. Despite modern influences, the Urhobo have retained distinctive socio-cultural structures and indigenous knowledge systems. The overarching aim is to understand the interplay between various cultural dimensions language, art, science, religion, and social organization that collectively define the Urhobo identity. This research study employs an interdisciplinary approach to unpack the complexity and richness of Urhobo society. It serves not only as a medium of everyday communication but also as a vessel for transmitting oral traditions, values, and identity. Vowel harmony and tonal distinctions are critical to meaning in Urhobo speech. The preservation and teaching of Urhobo in schools are crucial for maintaining the cultural heritage of the people. Sentence structure follows the Subject-Verb-Object (SVO) order. Its lexicon is rich in metaphors and idiomatic expressions, often reflecting social norms, agricultural life, and spirituality. Verb conjugation in Urhobo reflects aspect and mood rather than tense, distinguishing between completed and ongoing actions. Urhobo literature is predominantly oral, encompassing folktales, proverbs, praise songs, and epics. These oral traditions play an educational role, teaching moral lessons and preserving historical narratives. Modern Urhobo literature has also gained prominence through the works of authors like Tanure Ojaide and J.P. Traditional communication methods in Urhobo communities include the use of talking drums, symbolic gestures, and communal assemblies. Oral narratives and proverbs are common in public discourse. Modern communication is evolving with the rise of digital platforms where Urhobo youths are revitalizing their language and culture through social media, podcasts, and online publications. Urhobo traditional science is rooted in close observation of nature. Ethno-medicine among the Urhobo involves the use of herbal remedies, spiritual invocations, and ritual healing. Common medicinal plants include ewhru, urhere, and evwerha, used to treat ailments such as fever, gastrointestinal problems, and fertility issues. Rituals often accompany healing processes, demonstrating the integration of spirituality and medicine. The Urhobo view the environment as a living entity deserving respect and stewardship. Environmental challenges such as oil spills and deforestation have adversely affected Urhobo communities, prompting advocacy for ecological justice and traditional land rights. Indigenous environmental ethics could inform modern conservation strategies. (KEYWORDS: Urhobo, Linguistics, Identity, Languages, Linguistic Features)

 

 

QUANTUM MECHANICS CENTENARY CELEBRATION: USE OF QUANTUM CONCEPTS TO PHILOSOPHICALLY INTERPRET SPIRITUAL ACTIVITIES

 

Godfrey Ejiroghene AKPOJOTOR

Department of Physics, Delta State University, Abraka, Nigeria

Email: akpogea@delsu.edu.ng

 

ABSTRASCT: The year 2025 has been declared World Year of Quantum Mechanics by UN to mark the centenary celebration of quantum mechanics, a revolutionary scientific theory that fundamentally altered our understanding of the universe at its most fundamental level. Originating from the groundbreaking work of physicists like Werner Heisenberg, Erwin Schrödinger, and Niels Bohr in the mid-1920s, quantum mechanics introduced a set of counter-intuitive yet experimentally verified concepts that have produced vast and diverse applications often designated modern science and technology. In this paper, these bizarre concepts of quantum mechanic such as wave-particle duality. observer effect, superposition, entanglement and tunneling are used for the philosophical interpretation of spiritual activities. The resulting observations helped in the honouring and exposition of the scientific achievements of quantum mechanics and plausible quantum spirituality which is an attempt to create a possible bridge between science and spirituality.

 

 

CULTURAL FESTIVALS AS A TOOL FOR RELIVING THE ANCESTORS: A CASE STUDY OF AGBON - URHOBO TRADITIONAL FESTIVALS.

 

Onovughakpor Felix ABIJOROH

Department Of History and International Studies , Lagos State University, Ojo, Lagos

+2348038423320; abijorohfelix9@gmail.com

 

ABSTRACT: Traditional festivals have been an integral part of human culture and society, serving as a means of expressing cultural identify, promoting social cohesion, and preserving cultural heritage. In many traditional societies, festivals are not mere celebrations, but are deeply rooted in the cultural, spiritual and historical contexts of the community. They provide a platform for the community to share experiences and reconnect with their ancestors and heritage. This study explores the significance of traditional festivals in reliving the ancestors among the Agbon - Urhobo people of Delta State. Agbon - Urhobo traditional festivals serve as a means of connecting with the ancestors and honoring their legacies. Primary and secondary sources were used for the collection and collation of data. Findings reveal that Agbon - Urhobo traditional festivals provide a platform for the community to relive the past, reenact ancestral traditions and reconnect with their roots. The festivals serve as a means of cultural transmission, allowing younger generations to learn and appreciate their ancestral heritage.

 

 

ARTIFICIAL INTELLIGENCE (AI) TRANSLATIONS FROM ENGLISH TO URHOBO: A COMPARATIVE STUDY OF PROBLEMS AND PROSPECTS WITH THE HOLY BIBLE

 

Sunny Aghogho OTEGBALOR¹ and Edirin Sylvester OTEGBALE²

¹Directorate of Information and Communication Technology, Delta State University, Abraka

²Department of Languages and Linguistics, Delta State University, Abraka

¹otegbalorsunny@delsu.edu.ng; ²edirin.otegbale@delsu.edu.ng

 

ABSTRACT: As AI-powered translation tools become more pervasive in global linguistic landscapes, the question of their adequacy in translating minority and under-resourced languages like Urhobo remains largely unexplored. Previous studies on Urhobo language encompass language structure, phonetics and phonology including cultural realities with less attention on the role of modern technologies like AI in the promotion of the language. This study therefore, takes a comparative approach by analyzing selected biblical texts across different books including Psalms, Acts, and Corinthians in highlighting the prospects and problems associated with the deployment of AI in translation exercises from English to Urhobo. The study underlines inconsistencies in translation quality, lexical equivalence, grammatical structure, and cultural-contextual fidelity. Additionally, while conventional phrases and sentences similar to the English language structure are properly rendered, there exist a gap in the rendition of theological nuance, idiomatic expressions, and the irregularity of Urhobo equivalents for certain canonical terms. This is evident in the translation of biblical books, sacred concepts, and syntactic ordering. The study concludes on the premise that the lack of a standardized, digitized Urhobo corpus contributes to these irregularities. Thus, integration of community-verified language data, increased linguistic modeling for tonal variation, and collaborative translation efforts between AI developers and Urhobo language experts is encouraged to foster an all inclusive culturally informed and linguistically approach to AI development that respects the integrity of both source texts and indigenous Urhobo language. (KEYWORDS: Urhobo, Biblical Books, Artificial intelligence, Translation)

 

 

MICROBIAL EVALUATION AND PROXIMATE ANALYSES OF READY-TO-EAT ROADSIDE SNACKS IN ABRAKA AND AGBOR

 

Loveth Ngozi BERNARD

Department of Science Laboratory Technology, Delta State University, Abraka Nigeria

lovethngozi1988@gmail.com; 07082978450

 

ABSTRACT: This study investigates the microbial quality and nutritional composition of commonly consumed ready-to-eat roadside snacks within Abraka and Agbor communities in Delta State, Nigeria. Samples of selected snacks—including roasted plantain (bolé), bean cake (akara), roasted maize (oka), and meat skewers (suya)—were collected from different vending locations in Abraka and Agbor. Standard microbiological techniques were used to isolate and identify microbial contaminants, while proximate analyses were carried out to determine moisture content, crude protein, fat, ash, fibre, and carbohydrate levels. Results revealed varying degrees of microbial loads, with Staphylococcus aureus, Escherichia coli, and Bacillus spp. being the most frequently isolated organisms. These microbial counts in some cases exceeded acceptable food safety limits, suggesting possible post-processing contamination due to poor hygiene practices. Proximate composition showed that the snacks provide moderate nutritional value, with suya having the highest protein content, and roasted plantain the highest carbohydrate level. The findings underscore the need for improved sanitary conditions and food safety awareness among roadside vendors to minimize public health risks while preserving the nutritional benefits of these snacks.

 

 

URHOBO WORLDVIEW IN POETRY: AN ANALYSIS OF UYOVBUKERHI ATIBOROKO’S WORKS  

 

Richard Okiemute IKOLO, PhD

Department of Languages and Linguistics, Delta State University, Abraka

richard-ikolo@delsu.edu.ng; 08030990486, 08150422349

 

ABSTRACT: This paper analyses three poems by Uyovbukerhi Atiboroko – ‘ọrhare’ (bachelor), ‘the market’, and ‘ukodo - to explore their reflection of Urhobo worldview. Through a qualitative analysis, this study examines how these poems capture the complexities of relationships, the fleeting nature of life, and the importance of communal effort. The findings highlight the poet’s nuanced portrayal of Urhobo cultural values and philosophical perspectives, revealing the intricate dynamics of societal expectations, individual aspirations, and communal responsibilities. By examining the poet’s use of literary devices like imagery, metaphor, symbolism, simile, and rhetorical questions, this study demonstrates how Atiboroko’s offer a profound insight into Urhobo worldview, emphasizing the significance of cultural heritage and traditional values. The findings of the study have implications for the study of Urhobo literature and culture, contributing to a deeper understanding of the Urhobo people’s experiences, perspectives, and cultural identity. (KEYWORDS: Urhobo worldview, cultural values, cultural identity, traditional values, literary devices)

 

 

HEAD OF NEGATIVE MARKERS IN THE URHOBO LANGUAGE

 

Bestman Esegbuyiota ODEH, Augustine Ngozi EZE and Victoria Udom ODEH

Department of Linguistics, Igbo and Other Nigerian Languages, University of Nigeria, Nsukka

Department of Public Administration and Local Government, University of Nigeria, Nsukka

 

ABSTRACT: This study investigates the head of negation markers in the Urhobo language, with three primary objectives: to identify the negative markers in Urhobo, to explore their syntactic and semantic functions, and to determine whether negative words in Urhobo exhibit headedness. The research adopts Feature Percolation Theory as its theoretical framework, which accounts for how negation features propagate from the head of a word to its dependents. Data were collected through introspection and unstructured oral interviews with native speakers. The study identifies multiple negation markers in Urhobo, which function to express clausal negation, indicate the absence of an entity, and mark prohibitive constructions. A key finding is that negation in Urhobo can be realized through affixal morphemes (prefixes/suffixes) or free-standing particles, with their headedness determined by their structural position and feature percolation. Affixal negation tends to function as the head of a negative word, whereas independent particles may operate as syntactic modifiers rather than heads. (KEYWORDS: Negation, Urhobo language, Headedness, Feature Prcolation Theory, Negative markers, Morphosyntax)

 

 

WỌ J’ ERIVWIN: ACCENT DISCRIMINATION AND IDENTITY RE-NEGOTIATION AMONG THE URHOBO PEOPLE

 

Philip Oghenesuowho EKIUGBO¹ and Akpobọmẹ DIFFRẸ-ODIETE²

¹Department of Linguistics, National Institute for Nigerian Language, Aba

²South-Wetern Edoid Language Institute, Ugboroke, Nigeria

 

ABSTRACT: This study presents an ethnographic study of accent discrimination and identity renegotiation among speakers of ‘highly accented’ dialects of Urhobo. It examines the sociolinguistic attitudes and remarks toward these speakers by the speakers of other dialects of the language and whether such attitudes trigger identity renegotiation by those discriminated against. Among Urhobo native speakers, varieties such as Evwreni, Ughwerun, Eghwu, Olomu, Ughwevwien Udu, and Abraka are often considered ‘highly accented’, and their speakers subtly subjected to discriminatory remarks such as wọ j’ erivwin “you are speaking (in the language of the) dead” among others. The present study seeks to examine discriminatees’ experiences of accent discrimination and their responses in-relation to identity re-negotiation. The study employs an ethnographic research design: the data for the study were elicited through interview, while data analysis is grounded in interpretivist epistemology, which emphasises the understanding of content, context, and representation in social phenomena as a function of the subjective meanings that individuals construct from their experiences. Findings from the study show that social dominance orientation underpins the discriminatory remarks against highly accented dialects by speakers of other dialects. However, participants reported minimal impact on their self-esteem or sense of identity. This suggests a degree of psychological resilience in the face of accent discrimination. (KEYWORD: Accent, Discrimination, Ethnography, Epistemology, Identity framing)

 

 

FOLKTALES AND SOCIO-POLITICAL RECONSTRUCTION IN AFRICA

 

Peter Emuejevoke Omoko (Ph.D)

Department of English and Literary Studies, Dennis Osadebay University, Anwai, Asaba, Delta State-Nigeria

Email: peteoms@gmail.com; omoko.peter@dou.edu.ng; Tel: +2347-0347-11220

 

ABSTRACT: The folktale genre is one of the oldest form of artistic reconstruction whose expression projects the people’s culture and socio-political identity. Many of the tales in Africa reflects the lived life of the people, drawing on themes which address the myriads of the people’s folk experience, inforcing their quest for an egalitarian society. Thus many of the tales with human and animal motifs, expose abuse of powers and condemn hegemonic institutions as well as confront oppression, injustice, embellishing their performance objectives with various aesthetic tropes. This paper focuses on the socio-politcal idealisation of class system in two African folktales. It adopts the Marxian theory which postulate that human society is constructed upon physical organisations and modes of relationships which serve as natural bases for the construction of human history and their modifications across periods as dictated by men’s activities. Through this theory, we are able to foreground the fact that the infrastructure of African traditional society was linked to its economics for which the superstructure of politics, law and religion are established. The paper concludes that the storytellers, through their stories, not only dubs as the cultural mediators between the people and their rulers but operates as the watchdogs of societies by commenting on negative socio-political appurtenances that are inimical to the progress of society. (KEYWORDS: folktales, Africa, cultural identity and socio-political reconstruction)

 

 

INDIGENOUS LANGUAGE AND THE PRESERVATION OF POTTERY (CERAMICS) PRODUCTION IN OTOR-EDO COMMUNITY

 

Peter Oghenerioborue UDI^1*, Emuobosa Akpo ORIJEMIE² and Oghenevwoke Anthony AGBEGBEDIA³

 

¹Department of Languages (English), University of Delta, Agbor, Delta State, Nigeria

²Department of Archaeology and Anthropology, University of Ibadan, Nigeria/Max Planck Institute for Geoanthropology, Jena, Germany

3Department of Peace and Conflict Studies, Federal University Oye-Ekiti, Ekiti State, Nigeria

*Corresponding author: peter.udi@unidel.edu.ng

 

ABSTRACT: Language is an integral aspect of culture used in communicating pre-scientific indigenous knowledge systems and practices in every society. Apart from verbal folklores (folktales, myths, songs, legends and proverbs) and experiences of customary folklores (ritual sacrifices, masquerade dances, festivals and funeral rites), material cultural elements (molding, weaving, carving, and craftworks) are transmitted from one generation to another through indigenous languages. This ethnographic research therefore examines the role of Urhobo language in the documentation and promotion of pottery ceramic traditions in Otor Edo community of Delta State. The research adopted Key Informant Interviews (KIIs) and Non-Participatory Observations (NPOs) as methods of data collection. The Key Informants were purposively selected and granted interviews based on their expertise, accessibility and availability in the study area. The ethnocultural setting, lifestyle of the people, social interactions, production sites and processes involved in pottery making were carefully observed for documentation. The interviews were audio and video recorded for critical analysis. The qualitative data were transcribed and translated from the audio and audio-visual recorders to English version for non-Urhobo speakers and researchers. The data were interpreted based on the Ughievwen dialect of the Urhobo language and subjected to literary analysis. The findings reveal that in pottery production, tools and techniques, resources, types and sizes of the finished products are communicated to people in Urhobo language. The various stages and processes in pottery ceramic making from extraction of the resources (clay) to the final stage were reported during the interviews that lasted for days in the indigenous language. The ethnographic study concludes that although the pottery ceramics serves different purposes, conflicts emanating from the production in Otor-Edo community are resolved through traditional mechanisms, using Urhobo language. (KEYWORDS: Pottery production, Urhobo language, Otor-Edo, Nigeria)

 

 

THE SCIENCE AND ART OF POTTERY PRODUCTIONS IN OTOR-EDO, DELTA STATE

 

Emuobosa Akpo ORIJEMIE^1,2*, Oghenevwoke Anthony AGBEGBEDIA and Peter O. UDI⁴

¹Department of Archaeology and Anthropology, University of Ibadan, Nigeria

²Max Planck Institute for Geoanthropology, Jena, Germany

³Department of Peace and Conflict Studies, Federal University Oye-Ekiti, Ekiti State, Nigeria

⁴Department of Languages (English), University of Delta, Agbor, Delta State, Nigeria

*Corresponding author: orijemie17@gmail.com

 

ABSTRACT: Pottery production is one of the earliest crafts practised by modern humans. Pottery serves several purposes, including domestic, industrial, and utilitarian; hence, it is almost always recovered from cultural and archaeological investigations. The study of pottery can be employed to understand the historical past of a people and their interactions with the environment. It also serves as an indicator of their subsistence economies and provides evidence of technological innovations and socio-economic networks among communities. To better understand the cultural practices and technologies of pottery production in Urhoboland, we investigated the pottery traditions of Otor-Edo, an Urhobo (Ughievwen) community in Delta State, renowned for its pottery tradition. Using the approach of ethnoarchaeology, we documented the traditions, processes, challenges and the language associated with the pottery production in Otor-Edo, from the procurement of clay to the finished products. We noted that as a form of art, pottery production is a reflection of the creative minds and cognitive abilities of its producers, the women of Otor-Edo. Furthermore, it was observed that aspects of the pottery production processes are rooted in scientific and human-ecological principles that have not been highlighted hitherto. These principles constitute a major part of the pottery traditions in Otor-Edo and play a significant role in the continuity and sustenance of the craft in the community. (KEYWORDS: Ceramics production, Urhobo indigenous craft, Otor-Edo, Delta State)

 

 

RHYTHMISING MELANCHOLIA: DISTRESSING MEMORIES AND CATHARSIS IN SELECTED URHOBO POPULAR SONG-POETRY

 

Stephen Kekeghe (Ph.D.)

Department of English & Literary Studies, Delta State University, Abraka

Email: stephenkekeghe@delsu.edu.ng

 

ABSTRACT: The expressive cultures of the Urhobo people, like other regional groups in Africa, have been invaluable in portraying the human psychosocial realities. Scholars of cultural studies have acknowledged the utilitarianism in Urhobo indigenous artistic traditions, especially the thematisation of socio-political and health experiences. This paper examines the representation of distressing memories as cathartic strategies in selected songs by Urhobo popular musicians. Three songs (henceforth, song-poems), complemented with in-depth interviews, were selected through purposive sampling, transcribed, translated and subjected to qualitative, literary analysis. The critical evaluation of the song-poems draws on the tenets of psychological and memory theories, to account for their psychotherapeutic essence. Through a close investigation of the rhythms and images in the sampled song-poems, analysis reveals that Urhobo musicians narrate agonising situations as a way of negotiating psychological health, which is redolent of Sigmund Freud and Breuer's concept of 'talking cure" and Aristotle's cathartic method to mental health. (KEYWORDS: Psychotherapy; Talking cure; Songs and emotions; Literature and psychiatry; Urhobo popular songs)

 

 

AFTER THE WESTERN CUM CHRISTIAN ENCOUNTER, FROM NOSTALGIA TO EXISTENTIAL PRAGMATISM: THE IMPERATIVE OF TRANSFORMING URHOBO INDIGENOUS KNOWLEDGE SYSTEMS

 

Prof. Mark Omorovie IKEKE¹ and Toma Brume²

¹Department of Religious Studies and Philosophy, Delta State University, Abraka, Nigeria

² Michael and Cecilia Ibru University, Agbarho-Otor

¹drikeke@delsu.edu.ng; 08067426895; ²tomabrume@gmail.com; 08122412202

 

ABSTRACT: There are two predominant attitudes towards the Western and Christian encounter that the Urhobo people experienced. One attitude will be a total condemnation and rejection of the “Whiteman” and the culture and Christianity that they brought. Another will be while rejecting what is inhuman and unethical, accept what is beneficial to our indigenous culture. Cultural diffusion is a reality everywhere. The fact also remains that no matter how much Westernisation and globalisation are condemned, Urhobo culture and indeed all African cultures have benefited from Western techno-scientific inventions, and African culture has been enriched by Christo-Ethical values. There is no doubt that there are some unethical practices in both Christian and Western cultures that should be critiqued and eradicated. This paper, through a critical hermeneutics, evaluative, analytic, and dialogical methods, argues for a balanced appraisal of Urhobo and indeed African encounter and continuous encounter with the Western and Christian cultures. It concludes that there is a need for Urhobo and African people not to be ashamed of embracing what is good from the West, while asserting Urhobo and African IKS. (KEYWORDS: Africa, Christian, Existential, Indigenous Knowledge, Pragmatic, Urhobo, Western)

 

 

URHOBO MUSIC: LEXICON AND LYRICAL CONSTRUCT

 

Enoh Justina OKAFOR

Department of Performing Arts, University of Delta, Agbor; Delta State

Email: justina.okafor@unidel.edu.ng; Phone: 08063645697

Orcid iD: https://orcid.org/0009-0002-3025-2180

 

ABSTRACT: The paper examines lexicon and lyrical construct of Urhobo music composed and performed by Urhobo musicians. The paper is limited to three selected Urhobo musicians as primary source while secondary source of information includes related materials, internet and mp3 to achieve its aims. Urhobo music is packed full of lexicon that are rich in advancing societal development and the Urhobo nation. Therefore, Urhobo music should be documented. Also, Urhobo musicians should be documented and a history book project should be embarked on by well-meaning Urhobo indigenes and groups to promote Urhobo culture, music and heritage including language globally using the internet as a medium. (KEYWORDS: Urhobo Music, Lyrics, Lexicon, Construct)

 

 

URHOBO IN THE DIGITAL AGE: ICT, SOCIAL MEDIA, AND AI AS TOOLS FOR CULTURAL PRESERVATION AND INNOVATION

 

Ighodalo Uyi EBHODAGHE

Researcher/ Postgraduate Student, Department of Mass Communication

Nigerian Institute of Journalism (NIJ), Ogba, Lagos, Nigeria

Email: ebhodagheu@gmail.com; Phone: +2348032885692

 

ABSTRACT: The digital revolution is reshaping how cultures are preserved, transmitted, and represented. For the Urhobo people, whose identity is deeply tied to oral traditions, language, and communal practices, the rise of ICT, social media, and artificial intelligence presents both unprecedented opportunities and serious risks. This paper examines how digital platforms and AI technologies are influencing Urhobo studies, language preservation, and cultural expression in the 21st century. It interrogates the role of social media in amplifying Urhobo voices globally, while also assessing how algorithmic biases and digital homogenization may marginalize indigenous knowledge. The paper explores AI-driven tools for Urhobo language documentation and translation, alongside community-led initiatives using ICT to sustain music, festivals, and oral heritage. It argues that integrating Urhobo epistemologies into the digital sphere is not merely about preservation but about innovation positioning Urhobo culture as an active contributor to the evolving global digital humanities. By bridging tradition and technology, this study demonstrates that the future of Urhobo identity lies in harnessing digital power responsibly, ensuring that AI and ICT become tools of empowerment rather than erasure. (KEYWORDS: Urhobo culture, digital humanities, social media, artificial intelligence (AI), language preservation, indigenous knowledge, cultural identity)

 

 

URHOBO LANGUAGE/LINGUISTIC STUDIES IN THE 21ST CENTURY AND BEYOND

 

Davis Ochuko EFEURHOBO, PhD

 

ABSTRACT: The language/linguistic studies have become imperative and culturally bound given the competitiveness of languages across the nation and globally. The pre-colonialformation of the Urhobo nation was a bond and strong mechanism in its unanimity of purpose. Unfortunately, the Urhobo language is gradually going into extinction because of lack of interest,born out of attendant effect of colonial mentality. The objectives of the paper are anchored on the following; To develop the Urhobo language as a bond of national unity, encapsulate the need for every Urhobo child to see the need to study the language as a precondition for national cohesion. The study adopted the elite theory as a theoretical framework and the qualitative research analysis. The major findings of the paper include the following; The poor attitudinalbehavior of our people towards the Urhobo language.It was concluded that the understanding of the Urhobo language will not only enhance the quality of relationship amongst its members but also help in achieving national goals. The paper thus recommends a compulsory study of the language from the cradle in order to enhance better and sustainable relationship amongst all. (KEYWORDS; Urhobo, Urhobo language, linguistic, linguistic studies)

 

 

FROM EWHE TO OKWEKO: FISH, CULTURE, AND THE FUTURE OF INLAND FISHERIES IN URHOBO LAND

 

Ochuko Joshua ERIEGHA (PhD)¹* and Solomon Iboko OVIE (PhD)²

¹Department of Fisheries and Aquaculture, Nigeria Maritime University, Okerenkoko, Delta State, Nigeria

²National Institute for Freshwater Fisheries Research, New Bussa, Niger State

Corresponding Author: E-mail: oj.eriegha@yahoo.com; Tel: +2347032132859.

 

ABSTRACT: This review examines the transformation of inland fisheries in Urhobo land, located in the western Niger Delta, from historically productive and culturally significant systems centred on traditional fish aggregating structures (ewhe) to a present-day dependence on imported iced marine fish (okweko). Drawing on historical accounts, cultural records, ecological observations, and relevant scientific literature, the paper synthesises evidence on the cultural and nutritional importance of fish, the diversity and productivity of traditional fisheries, and the socio-economic systems they supported. The review identifies multiple drivers of decline, including habitat degradation, occasional chemical fish poisoning, pollution from oil and industrial sources, hydrological alterations, and the erosion of intergenerational knowledge transfer. It discusses the socio-cultural and economic implications of this decline, highlighting its impact on food security, cultural identity, and local resilience. Based on lessons from global experiences, the review outlines integrated strategies for recovery, including habitat rehabilitation, revitalisation of owhe, scientifically managed stock enhancement, household-level aquaculture using borehole water, market restructuring, and improved governance frameworks. The synthesis underscores that restoration of inland fisheries in Urhobo land is achievable if pursued through coordinated actions that combine environmental management, technological innovation, and cultural preservation, thereby ensuring nutritional, economic, and cultural sustainability. (KEYWORDS: Urhobo, Inland fisheries, Ewhe, Okweko, Stock enhancement, Cultural heritage conservation)

 

 

CULTURAL AUTHENTICITY IN THE AGE OF LIKES: EXAMINING THE FUTURE OF AFRICAN (URHOBO) ORAL TRADITIONS ON SOCIAL MEDIA PLATFORMS

 

Emmanuel Ufuoma TONUKARI, PhD

Department of Languages & Linguistics, Delta State University, Abraka, Nigeria.

 

ABSTRACT: Social media has become a powerful platform for sharing and reshaping culture. Among African communities like the Urhobo of Nigeria, this shift raises critical concerns about authenticity and authority. Traditionally, oral traditions were preserved by designated custodians such as orators and griots (otota), deeply grounded in the people’s values. Today, anyone can reinterpret cultural content online, often without context or verification. While scholars (Edewor 2020; Nyamnjoh 2015) highlight digital media’s role in cultural revival, this paper explores the risks of distortion, fragmentation, and loss of narrative coherence. Grounded in postmodern media theory, the study draws on interviews with Urhobo cultural custodians and youth, as well as content analysis of social media posts. It argues for a balanced approach, fostering intercultural exchange while preserving the integrity of indigenous knowledge in the digital age. (KEYWORDS: cultural authenticity, oral tradition, social media, Urhobo culture.)

 

 

THE AESTHETIC DIMENSION OF NICKNAME (IDJERE / ODOVA) AMONG THE URHOBO PEOPLE

 

Ejedaferu Samson Okakpoturi

Delta State Polytechnic, Otefe-Oghara

Samsonokakpoturi1@gmail.com

 

ABSTRACT: Among the Urhobo people, when a person gets to a certain stage in life, he or she is expected to get for himself or herself a nickname (Idjere or Odova), and the nickname is often derived from the individual’s experience and perception of the world around him and when the nickname is mentioned, elicits an array of intellectual depth, wisdom and knowledge. However, this rich oral tradition of the Urhobo people has not been given the scholarly attention it deserves: in terms of translation, transmission, preservation and study, to not only document and appreciate them but to also highlight their aesthetic nuances as veritable oral literary products of fecund minds. This paper is therefore designed to explore nicknames among the Urhobo people in order to highlight their aesthetic and dynamic conditions thereby contributing to Urhobo folklore studies.    (KEYWORDS: Urhobo, Nickname, Folklore, Aesthetics, Oral Tradition)

 

 

CULTURAL MUSIC AND ETHICAL VALUES IN URHOBO SOCIETY

 

Philo Igue OKPEKI PhD

Department of Music, Delta State University, Abraka

Phone No: 080335335360; Email: okpekipi@delsu.edu.ng

 

ABSTRACT: Music generally attempts to showcase the phenomenon of a given culture. Traditional Urhobo society was held together by the adherence to ethical values by every successive generation. Urhobo music performance highlights the ethical values to resonance the disappearing positive values once held by the people. Ethical values are principles that guide individuals and community, which can be relied upon when making decisions. Ethical values also determine how people in a community would behave in such a way the behavior could be considered morally right and just. Ethical values provide a framework for distinguishing between right and wrong, and help individuals determine what actions are acceptable and unacceptable in Urhobo society. Cultural music in Nigeria plays a significant role in promoting ethical values by transmitting cultural norms, beliefs, and moral lessons through various forms of musical expression. Music serves as a powerful tool for education, social control, and the preservation of cultural heritage, influencing individual behavior and societal norms. Urhobo ethical values center on community, respect, and the sanctity of life, both human and natural. They emphasize the interconnectedness of individuals within the community, with a strong sense of shared responsibility and cooperation. These values are reflected in their traditional practices, religious beliefs, and proverbs, which promote compassion, integrity, and resilience. The above listed Urhobo cultural and ethical values is being overshadowed by modernism which could be due to lack of sufficient literature from Urhobo musicologists who ought to document music contents with ethical values that is found among Urhobo music. (KEYWORDS: Cultural, Music, Ethical, Values, Urhobo, Society)

 

 

TRANSLATION OF PHONETIC TERMINOLOGIES FROM THE INTERNATIONAL PHONETIC ALPHABET INTO URHOBO

 

Eseoghene ALEH (PhD) and Ejaita Clement ONAKPOBERUO

Department of Languages and Linguistics, Delta State University, Abraka

alehese@delsu.edu.ng, clementejaita@gmail.com

 

ABSTRACT: Although phonetic terminology is very necessarily used as the standard linguistic means to describe language sounds, certain languages lack such essential documents. Research has shown that Urhobo lacks standardized and adequate phonetic terminologies. Therefore, adaptation of phonetic terminologies from the International Phonetic Alphabet (IPA) to Urhobo will help in the transmission, preservation and study of phonetics and phonology in Urhobo. Data was elicited from 4 competent speakers of Urhobo standard dialect, Agbaro. Thirty phonetic terminologies were selected and translated from IPA into Urhobo with the focus on terminologies used in the description of the following areas in Urhobo: place of articulation, manner of articulation, vowel height, vowel shape and the suprasegmental terms. Nativisation was used to recapture some terminologies from IPA to Urhobo. Foreignization was used to recapture some other ones. These translated terminologies will be useful in the study of the Urhobo. They may also be useful in artificial intelligence research which relates to the language. (KEYWORDS: Urhobo, phonetic terminology, adaptation, translation, nativisation, foreignization)

 

 

URHOBO INDIGENOUS TECHNOLOGIES AND COMMUNICATIONS SYSTEM

 

Eseoghene Isaac ONOBRUDU

Author & President, Agbon People Historical Foundation (APHF)

Director General, Kokori Social Cultural & Empowerment Organization (KSCEO)

Former National Chairman, Kokori Descendant Association (KDA)

07032480390, 09028843052.

 

ABSTRACT: This paper explores the rich heritage of Urhobo Indigenous technology and communication systems, highlighting their relevance in pre-colonial, colonial, and post-colonial contexts. It examines the ingenious ways the Urhobo people of the Niger Delta region developed tools, crafts, and methods to enhance agriculture, fishing, ironwork, architecture, and medicine, drawing from environmental adaptation and deep cultural knowledge. Traditional communication systems such as drum signaling, town criers, symbolic objects, and oral narratives played pivotal roles in governance, social organization, and inter-community relations. These systems enabled efficient dissemination of information, conflict resolution, and cultural continuity long before the advent of modern technology. The study further discusses the decline of these indigenous practices due to urbanization, western education, and technological globalization, while advocating for their documentation, revitalization, and integration into contemporary community development strategies. Through fieldwork, oral interviews, and literature review, the paper presents Urhobo indigenous technology and communication not as primitive relics, but as sophisticated, adaptive systems that reflect the ingenuity and resilience of the Urhobo people. It concludes by proposing a hybrid approach that incorporates indigenous systems into modern innovations to preserve cultural identity and enhance grassroots development in Urhobo communities.

 

 

COMPUTER TERMS IN URHOBO

 

Rose O. Aziza¹, Philip O. Ekiugbo*², Emuobonuvie M. Ajiboye³ and Clement Onokpoberuo⁴

^{1, 2, 4} Department of Languages and Linguistics, Delta State University, Abraka

³ Department of Linguistics, National Institute for Nigerian Languages, Aba

*Corresponding Author: oghenesuowho@gmail.com

 

ABSTRACT: This study examines the terms from a terminology development project aimed at creating the Urhobo equivalents of some computer-related terms. Rapid advancement in technology continues to introduce new concepts which are often lacking in many indigenous African languages, including Urhobo. The project therefore sought to contribute to the modernisation of the Urhobo language by expanding its lexical resources to cover the rapidly evolving domain of computer technology. It involved identifying corpus of frequently used computer words from textbooks and online resources as well as developing equivalent terms for them in Urhobo. The goal of this study is to investigate the strategies employed in creating the Urhobo equivalent terms. It shows how possible equivalents terms were developed from existing Urhobo lexical resources using strategies such as semantic extension, norminalisation, and calquing. The study also showed how borrowing is employed in certain cases. The project contributes to enriching the Urhobo lexicon, preserving the language, and the integration of indigenous languages into the digital age. Accordingly, this study recommends that these terms should be adopted, as well as disseminated and popularised in schools and digital platforms. (KEYWORDS: Terminology development, Urhobo, Equivalence, Computer, Language development)

 

 

DUAL REPRESENTATION AND OPPOSITIONAL BINARITY OF UDI (DRINK) IN THE MUSIC OF JOHNSON ADJAN

 

Sunny Awhefeada, (PhD)

Department of English and Literary Studies, Delta State University, Abraka

 

ABSTRACT: Johnson Adjan is a leading Urhobo musician who was active on the Urhobo music scene for nearly five decades before old age interfered with his vocation of songs. Usually, dedicating his musical prowess to the twin Muse of Uhagwha and Aridon, Adjan portrays Urhobo ethno-philosophy in his musical oeuvre in a manner that often gives profound insight into Urhobo world view. His musical interventions reflect Urhobo lore and mores which stretches from primordial times till the present. Embedded in his songs are insightful expositions of how life was lived, how it should be lived and how it is being lived. History, philosophy, poetry, didacticism, exhortation and performance are the enablers of the plurality of motifs that are adumbrated in Adjan’s music. A remarkable motif in this is the duality of udi which is the Urhobo word for drink. Adjan configures drink as embodying the duality of good and bad and he invokes tendencies which attest to this duality in Urhobo social life. Adjan’s musical articulation of the duality of drink depicts attitudinal perspectives that tend to view the phenomenon as having a double signification involved in its constructive consumption as well as its destructive essence. The oppositional manifestation of both tendencies inheres in social cohesion and individual shortcoming. This paper explores, from a cultural studies perspective, two tracks “Somodidi” and “Idime” which embody the oppositional duality configured in Adjan’s music. The study limns the tracks as embodying the consciousness of the Urhobo as that which balances extremes in its evaluation of human phenomenon. (KEYWORDS: Dual, Representation, Urhobo, Music, Drink)

 

 

THE PHENOMENOLOGICAL PRINCIPLE OF UNIVERSALITY IN THE USE OF PROVERBS AMONG THE URHOBO-SPEAKING PEOPLE OF THE NIGER-DELTA REGION OF NIGERIA

 

Emmanuel Ogheneochuko Arodovwe

Department of Religious Studies and Philosophy, Delta State University, Abraka

earodovwe@delsu.edu.ng; emmaochuko@gmail.com; 08103108064

 

ABSTRACT: Proverbs are commonly employed in Africa to give greater effect to statements. They have been described by Achebe as “the palm oil with which words are eaten”. In discussions, arguments, narrations, and song-poetries, African speakers and orators draw fitting proverbs for easy conveyance of their views to their audience. Oratorical skills in the African linguistic context often include the ease with which a speaker is able to spice his statements with poetic anecdotes and proverbs to achieve graphic comprehension of abstract and remote ideas among his audience. The use of proverbs among the Urhobo people of southern Nigeria is very pronounced. Been a very artistic people, such oratorical skills are in high demands and well appreciated. Crucially, underlying the usage of proverbs among the Urhobo people is a universalist temperament that implicates the phenomenological principle as developed by the German philosopher G.W.F. Hegel (1770-1831). This is the view that entities in the universe – subjects and objects, animates and inanimates, mind and world, etc., are regulated by the same underlying principle. It is the belief that humans and non-humans are equal co-habitants in a cosmos in which all beings express similar character disposition and behavioral tendencies. It is from such fundamental assumptions that ancient Urhobo people developed the proverbs that have persevered through several generations. This paper uses the methodology of critical discourse analysis to explain this universalist ideological temperament of the Urhobo people as expressed in their use of proverbs. Several proverbs in common usage by the Urhobo people are referenced to buttress the argument. The discourse also shows how Urhobo social, economic, moral and eschatological beliefs are influenced by this orientation. (KEYWORDS: phenomenology, principle of universality, proverbs, Urhobo)

 

 

URHOBO INDIGENOUS TECHNOLOGIES AND COMMUNICATION SYSTEM IN THE SOUTH-SOUTH, NIGERIA

 

Prof. Umunadi, E. Kennedy

Department of Technical Education, Delta State University, Abraka, Delta State.

 

Abstract: ‎The main purpose of the paper is to look at Urhobo’s rich and diverse Indigenous Technologies and Communication Systems. Urhobo Indigenes are well-organized traditional people in different communities and villages in Delta State. Urhobo Indigenous Technologies and Communication Systems have been in existence before the arrival of missionaries in the western region of Nigeria. The paper will specifically dwell on the Urhobo Indigenous Technologies and Communication System. Under the Urhobo Indigenous Technologies the researcher will look at technologies of farming, fishing, local skills of making basket for fishing ( Atete weaved basket), Banga processing and production (palm oil), boat carving and production and fishing techniques, fish-net throwing and dragging, throwing metal hooks and snail bait, and blacksmithing (Ojogu), producing wooden/metal garri drying machines, production of garri frying pan, Clay and metal pots for cooking, basket for preservation of meat, grinding food using mortar, pestle, grinding stone, building our house using palm fronds (palm tree leaves) and mud-sand for building, palm-wine, alcohol drinks (Ogogoro), Palm oil (Ofigbo) and so on. Communication System in our Urhobo Indigenous tradition has a lot to do with the exchange of goods and services in the local market, like the exchange of harvested raw cassava and prepared Banga rice, where the farmers communicate with the rice sellers using our local languages for the exchange of harvested cassava and cooked rice. Communication in marriages, suitors, family spokesmen (Otota), bride and groom, initiation into the shrine, communication with the marine spirits, youths' preparations for adulthood ceremony, swearing in of new chief (Okakolo, Onulogu, and Okwa) and kings, burial ceremonies, conflict resolution between villages, communities, and revelry families. It will be based on these highlighted points that anticipated recommendations will be proffered as pathways for Urhobo development. One of these anticipated pathways should be the promotion of indigenous technologies and communication for prosperity and preservation of the indigenous Urhobo cultural heritage. (KEYWORDS: Communication, Indigenous, System, Technologies, and Urhobo)

 

 

GALVANIZING DIASPORA TOWARDS THE DEVELOPMENT OF URHOBO LAND

 

Professor Podi Joseph Akpojotor OMOH¹ and Famous AKPOJOTOR^*²

¹African Centre for Transportation Planning, Human Settlements and Ecosystem Research

²Udu kingdom Initiative for Development

*Corresponding author: famousakpojotor@gmail.com, +2348068613231

 

ABSTRACT: The need for Urhobo land to be transformed technologically, industrially, socially and economically has become a sine-qua-non. This can be achieved if the sons and daughters of Urhobo land in diaspora contribute by bringing back home global best practices, their skills and capital, direct investment through capital inflow, establishment of industries (such as manufacturing, ship building, fishing, food processing etc) in well planned industrial layouts, introduction of Hi-Tech based businesses, specialized social investments would trigger the transformation of the various kingdoms in Urhobo land. Methodologically, direct invitation of individuals in diaspora, providing an enabling investment environment, direct involvement of various local governments in encouraging individuals in diaspora and prepared industrial and sustainable investment plans for Urhobo land. Finally, various communities must provide safe and secured environment to drive sustainable growth, development and encourage diaspora involvement.

 

 

AN ANALYSIS OF THE IMPACT OF SOCIAL MEDIA ON URHOBO POLITICAL, ECONOMIC AND SOCIO-CULTURAL DEVELOPMENT

 

Oghenerume Clark AKPOMOUDE¹ and Godfrey Ejiroghene AKPOJOTOR²

¹Department of Surveying and Geoinformatics, Nnamdi Azikiwe University, Awka, Nigeria

²Department of Physics, Delta State University, Abraka, Nigeria

Corresponding Author: clarkrume@gmail.com, akpogea@delsu.edu.ng

 

ABSTRACT: This paper examines the multifaceted influence of social media on the Urhobo ethnic community that is a major group in Nigeria’s Niger Delta region. Though the social media can be double-edged as its influence could be positive or negative, we explore here how the digital platforms contribute to language and trado-cultural preservation, community building and entrepreneurship and political mobilization. A 4-point rating scale survey was carried out for online participants of both genders and living in the rural, urban and outside the country. The data collected were analyzed using T-Test and ANOVA. The results indicate that the social media has become a powerful tool for political mobilization, economic empowerment and socio-cultural preservation in Urhobo Community. Therefore, the outlook is that the social media is poised to play an even more transformational role in its future.

 

 

URHOBO FOLKLORE, FESTIVAL AND RELIGIOUS PRACTICES

 

IKIE TUOYO EGUONO JULIET

Department of Nigerian Languages, College of Education Warri

eguonoikie@gmail.com, 08038749131

 

ABSTRACT: This paper explores the rich cultural heritage of the Urhobo people, focusing on their folklore, festivals, and religious practices. The Urhobo, residing in the Niger Delta region of Nigeria, boast a vibrant cultural identity shaped by their history, traditions, and spiritual beliefs. Their folklore is a treasure trove of stories, myths, and legends that convey moral lessons, historical events, and cultural values. The paper highlights notable festivals such as the Ohworu, Ugbokodo, Ade Wrestling, Owhorhu Masquerade, and Iyeri Fishing festivals, which showcase their community spirit and cultural heritage. Additionally, it examines their traditional religious practices, including ancestor worship, divinities, rituals, and offerings, as well as the Igbe religion. This paper provides a comprehensive overview of the Urhobo people's cultural practices, emphasizing their significance in shaping their identity and community bonds. The data for this study were collected through in-depth interviews of respondents that have insight into festivals and women prohibitions from certain rituals. The study adopted the purposive sampling technique which gives the researchers freedom to select respondents who have profound knowledge of traditional festivals in Clans. The interviews lasted for three days with the interviewer recording the oral data with a tape and also taking notes of respondents. The oral data obtained from the key informants were carefully transcribed and translated into the English version. Two research assistants were recruited to handle the tape recorder and take notes while the researcher asked the unstructured questions. Besides the primary data, secondary materials were consulted to substantiate the arguments and the views of the respondents from the field. Informants argue that Urhobo folklore, festivals, and religious practices are integral components of their cultural heritage, reflecting their values, customs, and community bonds. Folklore Urhobo folklore is a treasure trove of stories, myths, and legends that convey moral lessons, historical events, and cultural values. These stories are often passed down through generations, featuring ancestral spirits, deities, and supernatural beings. Informants argue that Traditional festivals are supposed to be celebrated by all inhabitants of a community including non-indigenes because of their significance in societies. (KEYWORDS: Urhobo Folklore, Festival and Religious Practices).

 

 

REVIVING URHOBO THROUGH TECHNOLOGY: THE ROLE OF DEYSPEAK IN LANGUAGE PRESERVATION

 

Onyovwikigho Lugard OKOLOLO

DeySpeak Technologies Limited

hello@deyspeak.com

 

ABSTRACT: The Urhobo language, once vibrant within families and communities, is gradually losing ground among the younger generation. This decline is mainly traceable to the absence of insufficient learning resources, the ever increasing preference of parents for English or Pidgin at home, language transfer, and the restrictions of Urhobo in schools. The language faces the real danger of extinction if these trends continue. This paper introduces DeySpeak, a mobile language learning platform built to comb these challenges. Unlike traditional methods, DeySpeak combines several language teaching approaches—the direct method, natural approach, audio-lingual drills, communicative practice, and grammar-translation—to create well-structured and interactive lessons. The platform motivates consistent practice and makes Urhobo both fun and practical to learn, owing to its unprecedented gamified learning experience. More than teaching words and grammar, it seeks to restore pride in Urhobo identity and strengthen its everyday use across generations. The study argues that digital tools, when applied thoughtfully, can provide an effective bridge between cultural tradition and modern technology, offering a sustainable path for indigenous language preservation. (KEYWORDS: Urhobo language, language preservation, indigenous languages, technology, DeySpeak, digital learning, gamification)

 

 

REFLECTIONS ON THE MANIFESTATIONS AND INTEGRATION OF URHOBO PHILOSOPHY AND WORLD VIEW FOR CULTURAL PRESERVATION IN THE EMERGENT NEW WORLD ORDER

 

Victor OMORAKA (PhD)

College of Education, Warri

omoraka.victor@coewarri.edu.ng; +2348033721982

 

ABSTRACT: In this paper, the author has done a detailed exposition on Urhobo philosophical world view and how it has influenced the spiritual environment that has deeply regulated the cultural and traditional practices of Urhobo people. The discussion covers selected aspects of our way of life including various social and cultural rites performed by Urhobo people. Attention is copiously drawn to the fact that there is an emergent New World Order which must not be allowed to drown our unique Urhobo identity and nativity. Of particular focus is the need to preserve and integrate our linguistics values of communication together with Urhobo proverbs, oratory, riddles and musicality. Along the pathway of this discussion, useful suggestions are made towards consolidating the survival of the ancient Urhobo tribal group in the new age of scientific and technological advancement.

 

 

PHONOLOGICAL PROCESSES IN URHOBO CONNECTED SPEECH: IMPACTS ON L2 ACQUISITION

 

EFEAKPOR, Irene Elohor

Delta state University, Abraka, Department of Languages and Linguistics

eiedojaimoni@delsu.edu.ng, 09065473471

 

ABSTRACT: Effective communication relies heavily on connected speech, where words are integrated rather than spoken in isolation. Native speakers instinctively make phonological adjustments, such as elision, glide formation, assimilation, tone sandhi and more, which can challenge language learners who may struggle to recognize these nuances. This study was motivated by non-native speakers enrolled in the B.A. Linguistics/Urhobo program at Delta State University, Abraka, as they struggle to speak, write, read and comprehend the Urhobo language. This study aims to investigate the phonological processes in Urhobo connected speech and their impacts on L2 acquisition. Communicative Language Teaching (CLT) Wilkins (1970) approach, which emphasizes the importance of language use in effective communication across four key areas: listening, speaking, reading, and writing. Findings suggest that concentrating on Urhobo phonological processes can significantly enhance learners' fluency and competence. Pedagogical strategies such as acoustic analysis, technological tools, contrastive analysis and communicative drills can be used effectively by Urhobo teachers. The study also recommends a review of Urhobo orthography to better represent its phonological aspects that are necessary for the teaching and learning of the language. (KEYWORDS: phonological processes, connected speech, Urhobo, pedagogy, L2 Acquisition)

 

 

URHOBO INDIGENOUS KNOWLEDGE SYSTEMS IN ARCHITECTURE: SUSTAINABLE BUILDING PRACTICES AND CULTURAL PRESERVATION

 

Joshua Ruese GODWIN-IVWORIN

Doctoral Student, Department of Languages and Linguistics, Delta State University Abraka

profjice21@gmail.com; +2348063254168

 

ABSTRACT: In Urhobo society, indigenous technologies in architecture represent a vital aspect of cultural heritage and communication. This study investigates the traditional building techniques and materials of the Urhobo people, such as raffia palm, wood, earthbag, and wattle-and-daub. It shows how these methods embody sustainable practices and convey cultural meanings that promote identity and social cohesion. Through a qualitative approach involving interviews, observations, and documentation, the study examines how indigenous technologies support community values and environmental adaptation. It also places Urhobo building practices within wider discussions on indigenous knowledge, cultural sustainability, and ecological resilience, highlighting their importance across historical and contemporary contexts. Furthermore, the study explores how these practices can inform modern architecture by reducing ecological impact, preserving heritage, and fostering sustainable community development. The research contributes to scholarship on Urhobo indigenous technologies and communication systems, while offering practical insights for culturally responsive and environmentally responsible architecture. (KEYWORDS: Urhobo indigenous technologies, traditional architecture, cultural preservation, sustainable development, communication systems)

 

 

THE EXTENDED FAMILY IN URHOBO SOCIETY: A CULTURAL NEXUS OF SOLIDARITY AND IDENTITY

 

Joshua Ruese GODWIN-IVWORIN

Doctoral Student, Department of Languages and Linguistics, Delta state University Abraka

profjice21@gmail.com; +2348063254168

 

ABSTRACT: In Urhobo culture, the extended family is a very vital institution. This is because it plays a significant role in shaping individual and communal identity as well as serves as a support base. This paper explores the cultural significance of extended family ties in Urhobo society. It highlights its role in promoting social cohesion, economic cooperation, and emotional support. Through a critical examination of traditional practices and contemporary realities, the study shows how extended family relationships are maintained and negotiated in the face of modernisation and urbanisation. The findings underscore the importance of kinship ties in Urhobo culture, demonstrating how they foster a sense of belonging, responsibility, and collective well-being. This research contributes to a deeper understanding of the Urhobo society in general and the importance of extended family in shaping cultural identity and community life in particular. (KEYWORDS: Urhobo, kinship, family, culture, identity)